I paint dynamic images that read in between experiential vision, photography, film, memory, and paint as itself. My source images - personal photographs, light abstractions, mass media and film collages - are rendered into series of paintings that reflect the continuity and transformation of images perceived, engaged, remembered, and retransmitted. I use photography to connect images that are personal and distant, vital and mortal, inscrutable and deliberate as they coalesce in my consciousness. The layered surfaces of oil reactivate the ghosts of imagery that drift between perceptive layers and diffuse into experience.